experimentelle reise durch den raum mit hilfe von
gesang,kanon,sprache,loops und soundsequenzen.
philomena hat in wien jazzgesang studiert.
hoerbeispiele unter www.soundcloud.com/philomena
Der Hirsch des Wahnsinns
Der Hirsch des Wahnsinns is one of the verses of "Al Infierno" ("To Hell")
by the Spanish poet Leopoldo María Panero. This poem and some others by
Rainer María Rilke, Rafael Alberti and John Milton were used at a soundwalk
commissioned in 2010 for the gardens surrounding a famous statue of the
Fallen Angel in Madrid. Updating some of those sound materials (in binaural
format) with some new others (in ambisonic format) I propose you the
listening of an acousmatic composition inspired by the Fallen Angels,
understanding them as those who, though created as good beings, freely
chose the wrong way.
Enrique Tomás [ultranoise] is a sound artist attracted to his computers to
create immersive textures of sounds. Working with space as ?the material?,
his concerts make us discover our capabilities for active listening in
extreme range of amplitudes and frequencies. Without concessions to music
his performances explore individual construction via aural imagination.
The sonic space is not composed with certainty. Rather there is a sense of
doubtful but intent while finding where we are at the same time as
composing the landscape.
His work (performances, installations, interventions, etc) was presented
around Europe and America as solo artist or as part of collectives like
Escoitar.org (sound heritage), Endphase (conceptual electroacoustic
improvisation), Atmosfera::Sustrato_Ruido (Public Space sound art), Labor
Orchestra (Laptop Orchestra), etc.